She walked to the information desk, collected a brochure for the exhibit and made her way through the myriad corridors to her desired goal. She was fascinated by the prints, which were both in bold colors as well as black and white. She wondered at an artist’s decision to create what might be called stereotypical characters. She was so engrossed with the fine artwork she barely noticed the time. Her knee let her know. It never ceased to amaze her that she could cycle for lengthy periods of time, but standing too long would cause her excruciating pane in her right knee. She had arrived at the museum at eleven o’clock and it was now one. She wandered from room to room one last time (working out the stiffness in her knee), and decided to purchase the book, which contained all of the pictures of the exhibit. She had been powerfully affected. The art had evoked feelings of tenderness as well as great anger, and she wanted a memento. She left the exhibit, found an information desk and. One long wall was occupied by steel shelving supporting several dozen boxes of various shapes and sizes. The facing wall sprouted a number of coathooks, from which garment bags were suspended. There was a stepladder and a table."There you are," dad said. "There's a guard around the end of the corridor. He can help if you need extra hands to move things. There's a phone on the wall outside. Need anything else?"I looked around. "Yes. A box cutter, some tape and a black or dark blue marker." Right. I'll have them brought to you. If you leave for more than a few minutes, tell the guard. He'll lock up." Thanks. This should be an adventure. There is a pull, but not a strong one."I decided to be methodical and put the top right carton on the table and looked at the label: "Sesia and Crab Island / March 1954." Well, I'd spell it 'Seisia, ' but to was up Cape York. And I thought Crab Island was uninhabited. But it would be Torres Islander stuff, not mainland. I put it back unopened and took.
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