There were a million editors listed, so I picked out three or four and sent them e-mails, none replied. Two weeks later I tried again but this time I upped the number and sent out e-mails to eight. Surely someone would get back to me, and one did. I sent him one of my stories but never heard back from him. I waited two weeks and followed up with another e-mail, still no response. I was still posting my stories and everyone kept telling me to get an editor. ‘I’m trying God damn it,’ I said to myself as I read their reviews. This time I was more selective and picked out three more and as luck have it, I got another reply. I submitted my story to him and got a huge surprise. I think there were more red marks on it than the black letters I’d submitted. He changed punctionation, grammar, spelling and even the flow of the story. I made all the corrections, sent it back to him for review and got back the final draft that was supposedly ready for submittal. I was beaming. ‘I’ll show those. Ihad to have some people from work over. And, with you around the way youare - no offence - it never really seemed possible or appropriate. So oncewe had you unconscious in that trunk, it just seemed like a goodopportunity. It wasn't planned, I didn't know that we'd do this when weput you in the trunk, it was just an afterthought. But it seemed like agood idea. And I was going to do it the very first night, but peoplecouldn't come the, so we had to postpone it. Which was why we left you inthe trunk. We knew you weren't in pain or at risk or anything, that youwere just safely tucked away, so we didn't think it would be so bad."It was an adults' party, you know, with adult food, adult drinks, adultjokes... and, well, I know you're an adult inside, but to outsiders youdefinitely look like a child. So if you'd been there, it would have reallychanged the whole atmosphere. People wouldn't have felt as free to talkand joke around. It would have changed the whole feeling."Plus, everyone.
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