Now I usually put all the files (from the different cameras, as I record Audio right into the computer) onto my pc and mostly "call it a day" when it comes to tributes.The next day, I do my editing.Normally I start by going through the pictures I have taken and decide which should be my intro and which my outro. Once that decision is made, I import them into photoshop and fiddle around until I have three or four different "steps" for each.1. The "normal" one2. A little bit changed (mostly colorchanges for some "interesting" results)3. More changes (sometimes I just make one picture here, so 2 and 3 are just one step)4. Put on some tilt-shift for a nice blur and a nice vignette (mostly via lighting-fx, not a "real" vignette. Personalpreference.) for a smooth transition to black.Pics done, now on to the "real" edit.I put all my files into DaVinci Resolve and start editing, just to realize, mostly around half an hour to an hour in, that the session I am working on has the wrong framerate. Her back was still to him as she asked, ‘Work OK?’ ‘Katherine…’ she jerked as his hand covered hers. He moved his hand and sighed, ‘How’s Sean?’ ‘He’s good.’ Katherine bit her lip before she told him, ‘He wants to know if you’ll still take him fishing sometime.’ God, she hated this. Her son still loves Clint as much as she does, probably always will. This is what she should have felt like when her and Jake split, but this was a million times worse, not only for her, but Sean as well. It had only been thirty-six hours since everything happened, but she knew it would always feel like this whenever she was near him. ‘I’d love to take him, if it’s OK with you.’ Katherine couldn’t keep the shakiness from her voice, ‘Of course you can. He loves you.’ Clint asked barely above a whisper, ‘Is he the only one who loves me?’ She begged, ‘Don’t, Clint.’ She felt him run his fingers through her hair and tears welled in her eyes. He dropped it, ‘Can I pick Sean up from Mary’s and take him this.
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