30 am ka he . mene use kuch techniques batayi or kaha ki aage se aisa hoo to yahi techniques use karke dekhna or fhir batana ki its work or not ??? , to usne kaha ki kahan batayungi , mere paas to tumhara koi contact no. Bhi nahi he , to mene use apna contact no. Diya or kaha ki sirf working hours me hi karna , usne ok kaha or hum log chale gaye . Fhir aise hi chalta raha or Saturday ko uska call aayaShelly : helloMe : whos thatShelly : me shellyMe : ooohhhhh hhhiiii how r uShelly : i m fine what about u ??ME : i m good , batayo kaise yaad aayiShelly : nothing aaj holiday tha to socha ki tumhare paise wapas kar dunMe : common yaar kabhi ek cup coffe pila denaShelly : kyu pila dun ??Me : tumhari marzi magar me paise nahi wapas lungaaShelly : ok theek he , or waise tumhare ideas ke liye thaks , sach me kaam aayeME : ookkkkk kaise kya hua tha ??Fhir usne mujhe apni stories sunayi or hum log khub hase , or us din lag bhag hamari 2 ghante baat hui . Fhir mene phone rakh diya or uska no.. I supposed Iwas teaching her a thing or two, as well, but together we wereexploring and learning so much about our own bodies. We were findingthe stuff we liked, the things I imagined we'd be doing more and moreas we grew up. Ideally with each other, but realistically, with laterpartners. We were probably just kidding ourselves, but it fucking feltgood.Tam made me enjoy being a woman in those moments. Okay, I thought ofmyself as a girl, but when she made me feel I was just a body, when Iwas hers and she was mine, when we were actually two bodies joininginto one, I felt womanly. Like part of the whole woman deal, thisentire line from whoever had been the first up to me and then whoevercame after. It excited me every time and sometimes I craved it at theoddest moments. Like when I was eating cereal at home in my pajamas,or when I was playing bass at Gina's and I'd get kind of shivery andthen have to compose myself even while I sang a secret song of love toTam. Or there'd be.
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