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"You weel see. Now we can go. Head out into deep water. I need to fetch something from below." Alain shrugged and pulled in the anchors. An hour later, they were past the continental shelf and into the Atlantic. Maria had him reef the sails and they drifted, the warm water lapping at the hull. Maria motioned Alain over and opened the canvas bundle. Alain gasped in horror. "Did you kill somebody over that treasure?" he demanded. "No." She smiled sadly. "These are the remains of the seamen who buried that treasure. I think Laffitte had theem keelt. I vowed to myself that I would see that they got a proper burial, and I keep all of my promises." She removed a roll of tape and six golden coins from a small bag at her feet. To each skull she attached a single coin, at the roof of the mouth, then she and Alain reverently retied the canvas shroud and carried it to the rail. There Maria began to speak. "I have no idea who these men were or what they were like, but they were. On Saturday morning, the husband returns to find the beach house turned on its head and Marcia, stretched out on the bed, bound to the headboard, throat slit. The mystery was who had murdered her? The husband himself in a rage? Friday’s stud? One of the men from the week running up to that? The neighborhood peeping Tom? A great setup, I thought. The ending was what had been problematic. The movie goer is left to make their own choice on the murderer. The movie had taken the realistic turn. A movie starlet is murdered down the beach from there, and both the detectives and media interest are pulled away to the bigger story. In the end, Marcia’s life and death just aren’t a big enough story to compete. It was a cynical movie, yes. Done when the box office went to the penguins with the dancing feet, yes. But it was a really good movie, I thought. It probably would be a classic thirty years from now, a cult film. I just wouldn’t be in Hollywood then to share the delayed acclaim. I had.
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